Die Ölgemälde alles camille corot


Choice ID Image  Painting (From A to Z)       Details 
11020 A Morning; Dance of the Nymphs(Salon of 1850-1851)  A Morning; Dance of the Nymphs(Salon of 1850-1851)   3' 2 1/2'' x 4' 3 1/2'' (98 x 131cm) Deposit from the Louvre.RF73
11023 A Nymph Playing with Cupid(Salon of 1857)  A Nymph Playing with Cupid(Salon of 1857)   2' 7'' x 1' 10 1/2''(78.5 x 57 cm) Bequest of Alfred Chauchard,1909 RF 1782
53888 A view of the burner of Volterra  A view of the burner of Volterra   mk234 1838 70x95cm
95048 Femme Lisant  Femme Lisant   1869 Type oil on paper Dimensions 54.3 cm x 37.5 cm cyf
38746 Fountain of the French Academy  Fountain of the French Academy   mk141 1826-28 Oil on canvas 25.5x38.5cm
38738 Idyll  Idyll   mk141 1859 Oil on canvas 162.5x130cm
70827 portratt av madame legois  portratt av madame legois   1838 olja pa duk 40x53cm se
69105 roda klippor vid civita castellana  roda klippor vid civita castellana   1826-27 olja på duk 36x51 se
38617 Seine Landscape near Chatou  Seine Landscape near Chatou   mk138 c.1855 Oil on canvas 37x64cm
11019 the mill of Saint-Nicolas-les-Arraz  the mill of Saint-Nicolas-les-Arraz   July 1874 2' 1 3/4'' x 2' 8''(65.5 x 81 cn)Bequest of Alfred Chauchard,1909 RF 1802
25458 Trouville Fishing Boats Stranded in the Channel (mk40)  Trouville Fishing Boats Stranded in the Channel (mk40)   8 1/4'' x 9 1/4''(21 x 23.5 cm)Gift of Max and Rosy Kaganovitch
21301 View of Genoa (mk09)  View of Genoa (mk09)   1834 Oil on canvas,29.5 x 39 cm Chicago(II),The Art Institute of Chicago
53890 Ville d-Avray  Ville d-Avray   mk234 ca 1867-70 40x60cm
95038 Ville dAvray  Ville dAvray   1865 Type oil on canvas Dimensions 49.3 cm x 65.5 cm cyf

camille corot
Paris 1796-Paris 1875 Corot's students included Alfred Sisley, Camille Pissarro, Berthe Morisot, Stanislas Lepine, Adolphe Appian and Dagnan-Bouveret. French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers



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